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His early paintings display facets of cubism. While living in New York City, Man Ray was influenced by the avant-garde practices of European contemporary artists he was introduced to at the 1913 Armory Show and in visits to Alfred Stieglitz's "291" art gallery. 1921–22, Dessin ( Drawing), published on page 43 of Der Sturm, Volume 13, Number 3, March 5, 1922 When he enrolled in the Ferrer School in the autumn of 1912, he began a period of intense and rapid artistic development. The art classes he sporadically attended, including stints at the National Academy of Design and the Art Students League, were of little apparent benefit to him. However, with a few exceptions, he was not yet able to integrate these trends into his own work. He was already an avid admirer of contemporary avant-garde art, such as the European modernists he saw at Alfred Stieglitz's " 291" gallery and works by the Ashcan School. The surviving examples of his work from this period indicate that he attempted mostly paintings and drawings in 19th-century styles. Man Ray earned money as a commercial artist and was a technical illustrator at several Manhattan companies.
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During this time, he worked steadily towards becoming a professional painter. The artist remained in the family home over the next four years. Man Ray's parents were disappointed by their son's decision to pursue art, but they agreed to rearrange the family's modest living quarters so that Ray's room could be his studio. After his graduation, Ray was offered a scholarship to study architecture but chose to pursue a career as an artist. While he attended school, he educated himself with frequent visits to the local art museums, where he studied the works of the Old Masters. His education at Brooklyn's Boys' High School from 1904 to 1909 provided him with solid grounding in drafting and other basic art techniques. Man Ray displayed artistic and mechanical abilities during childhood. Man Ray, 1919, Seguidilla, airbrushed gouache, pen & ink, pencil, and colored pencil on paperboard, 55.8 × 70.6 cm, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Man Ray was the uncle of the photographer Naomi Savage, who learned some of his techniques and incorporated them into her own work. Mason Klein, curator of a Man Ray exhibition at the Jewish Museum in New York, Alias Man Ray: The Art of Reinvention, suggests that the artist may have been "the first Jewish avant-garde artist." Art historians have noted similarities between Ray's collage and painting techniques and styles used for tailoring. Mannequins, flat irons, sewing machines, needles, pins, threads, swatches of fabric, and other items related to tailoring appear in almost every medium of his work. Man Ray wished to disassociate himself from his family background, but their tailoring left an enduring mark on his art.
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Man Ray's mother enjoyed designing the family's clothes and inventing patchwork items from scraps of fabric. He enlisted his children to assist him from an early age. Man Ray's father worked in a garment factory and ran a small tailoring business out of the family home. 1921–1922, Rencontre dans la porte tournante, published on the cover (and page 39) of Der Sturm, Volume 13, Number 3, March 5, 1922 Emmanuel, who was called "Manny" as a nickname, changed his first name to Man and gradually began to use Man Ray as his name. Man Ray's brother chose the surname in reaction to the ethnic discrimination and antisemitism prevalent at the time. In early 1912, the Radnitzky family changed their surname to Ray. He had a brother, Sam, and two sisters, Dorothy "Dora" and Essie (or Elsie), the youngest born in 1897 shortly after they settled in the Williamsburg neighborhood of Brooklyn, New York. He was the eldest child of Russian Jewish immigrants Melach "Max" Radnitzky, a tailor, and Manya "Minnie" Radnitzky (née Lourie or Luria). He was born in South Philadelphia, Pennsylvania, on August 27, 1890. Man Ray's birth name was Emmanuel Radnitzky. He even refused to acknowledge that he ever had a name other than Man Ray. Man Ray, 1913, Landscape ( Paysage Fauve), watercolor on paper, 35.2 x 24.6 cm, Smithsonian American Art Museumĭuring his career as an artist, Man Ray allowed few details of his early life or family background to be known to the public.